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Art Club: Excursion to the Hudson River Museum
November 8 @ 12:00 pm
FreeJoin the Art Club as we explore the Hudson River Museum! We are excited to see and discuss the current shows, No Bodies: Clothing as Disruptor and It Takes 2: Unexpected Pairings. There will also likely be time to explore other exhibitions independently.
About No Bodies: Clothing as Disruptor
Simply put, clothing is what we put on our bodies. We use it both to cover up and to reveal ourselves. It is also a tool we use to understand others. As an artistic medium, it embodies the tension between opposing forces—private experience and mass consumption, form and function, empowerment and vulnerability, personal expression and cultural expectation. Through bodiless artworks that reimagine and transform clothing, No Bodies: Clothing as Disruptor offers a multitude of societal portraits and invites visitors to engage with the intimate narratives they evoke.
The artists in No Bodies use clothing to play with assumptions about materiality and cultural identity, and as a vehicle for social and political activism. In Shroud, a sea of suspended shirts, Rachel Breen asks us to stand in solidarity with garment workers. Inscribed on Patrick Carroll’s t-shirt, created in response to the overturning of Roe v. Wade, are the ingredients of historical abortifacients. Rose Deler points up the cruelty of immigration policy with children’s garments fashioned from the Mylar rescue blankets given to migrants at the U.S. border. In Jesse Krimes’s quilt Skyline, an inmate’s memories of wellbeing are retained in spite of the oppression of the prison-industrial complex. The beads in Erica Lord’s loom-woven burden strap replicate the pixel-like format of DNA analysis of diseases affecting Indigenous communities. And Karen Shaw transforms a sports jersey into a hoop shirt—a winking reference to a hoop skirt—that subverts gender norms and blends masculine and feminine elements.
No Bodies reveals how clothing can convey deeply personal stories while critiquing broader systems of production and regulation. Disrupting familiar clothing conventions, the artists illustrate how personal expression can reshape cultural and social norms. Their works unravel our presumptions about clothing, the stories it can carry, and the psychological weight it can bear. No Bodies asks us to reconsider clothing as not merely attire, or fashion, but a dynamic expression of both personal and collective identities.
Curated by independent curator Alva Greenberg.
About It Takes 2: Unexpected Pairings
These unlikely companions, drawn from the HRM collection, loans from Art Bridges, and private collections, span different centuries, cultures, and media. Their juxtaposition may reveal overlapping frames of reference, draw out previously unnoticed dimensions, or challenge preconceived notions of universality.
In the eight pairings featured here, each explored under a different theme, the artworks stand on their own and also hold a mirror to one another. One poignant pairing reveals two striking explorations of love. Felix Gonzalez-Torres’s “Untitled” (L.A.), 1991, is installed near an ornate wedding platter from the 1870s. Gonzalez-Torres’s candy-spill work dates from the same year he lost his beloved partner to an AIDS-related illness and is a testament to their relationship. The ceramic dish, produced by W. T. Copeland & Sons, features wedding vows as part of its decoration, including “in sickness and in health, to love and to cherish, till death do us part.” The platter was made to hold food for wedding guests, just as Gonzalez-Torres meant for visitors to consume the commemorative candy.
In other juxtapositions, works by Georgia O’Keeffe and Andy Warhol invite us to consider organic forms we can encounter everyday from a fresh perspective, and Winslow Homer’s watercolor of a Florida coastal scene and Catherine Latson’s sculptural dress made of shells suggest changing relationships to nature. Finally, the fantasy realm of children’s play provides a vehicle for artists JooYoung Choi and Mark O’Banks to rewrite history, to upend social injustices through invented worlds and very different artistic sensibilities.
As we continue our commitment to presenting the Museum’s collection in new and exciting ways, these comparisons provide opportunities to extract new readings and perspectives on art and artists, past and present.
Featured Artists
Mark Bradford • JooYoung Choi • Felix Gonzalez-Torres • Winslow Homer • Donald Judd • Catherine Latson • Paul Manship • Mark O’Banks • Georgia O’Keeffe • Joe Overstreet • Shizu Saldamando • Joan Snyder • Rigoberto Torres • Andy Warhol • W.T. Copeland & Sons
Several works in this exhibition are generously lent by Art Bridges, Bentonville, Arkansas, as part of the Art Bridges’ Partner Loan Network initiative.
- Date: Friday, November 8
- Time: Meet at Yellow Studio at 11am for an early lunch at The Whitlock in Katonah (we will drive to the restaurant together) and carpool to the Hudson River Museum or meet at the Hudson River Museum at 1:30pm.
- To join the group for lunch at The Whitlock and carpool to the Hudson River Museum, please email tina@yellowstudiony.com. Space in the car is limited.
- At least one car will depart the Hudson River Museum around 3:30pm and head back to Yellow Studio.
Tickets:
- Everyone must buy their own ticket directly through the Hudson River Museum at this link. General Admission tickets are $13. each.
All Yellow Studio Members are welcome! Join us for a day of exploration and inspiration and connect with fellow art lovers.
Hudson River Museum Location
511 Warburton Avenue
Yonkers, NY 10701
(914) 963-4550