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Art Club: Studio Visit with Carol Bouyoucos

Join the Yellow Studio Art Club on Tuesday, July 21 at 10am for a visit to Carol Bouyoucos’s studio in North Salem.
In Carol’s words: “I recently moved to a small cottage on Peach Lake in North Salem. I wanted to create a very personal space that serves first as my studio, and secondly as a place for friends and family to gather. I look forward to welcoming you and sharing my space.”
Member RSVP required.
North Salem address will be sent after RSVPs are collected.
About Carol Bouyoucos
Carol Bouyoucos, from North Salem, NY, is a contemporary American artist whose work explores the intersection between nature and technology. Carol’s digital photographic works evoke a romanticism and nostalgia of nineteenth century landscape painting, though created with distinctly 21st century tools. She has exhibited her work internationally, and considers her most successful efforts to be her collaborations with fellow artists and curators. Recent exhibitions include, Chroma Fine Art Gallery, Lush, Katonah, NY; The Flinn Gallery, Biophelia, Greenwich, CT; The Gallery at Yellow Studio, Lost and Found, Cross River, NY: Atlantic Gallery, Interior Wild, NY, NY. Carol holds a BFA from The University of Michigan’s School of Art And Design.
Artist Statement
Until recently, I lived on a 156-acre nature preserve with a pond, marshland, protected species, and aggressively invasive plants. I observed an untamed landscape that sparked complex narratives in my work.
My practice emerged from a growing sense that traditional photography, my primary medium, could not be pushed far enough to realize these stories. Post-photographic processes, both digital and AI-driven, allow me to articulate worlds shaped by an unsettling pastoral narrative.
My “hypothetical” landscapes arise in the space where nature is not only observed, but reimagined through rapidly evolving systems. By embracing the instability of both the natural world and the digital image, my work situates itself in a restless, shifting terrain. Giving myself permission to develop this new visual language has been a significant departure, opening the work to forms that feel less descriptive and more speculative.
